Elizabeth Goudge’s Eliot Family Trilogy?
First, it is English: paragraphs of appreciative comments on the comfort of tea; gallons of hot tea consumed; nine variations of rain—slanting, gentle, white, solid, gloomy, light, windy, misty, sparkly; logs added to warming fires; imaginative children; a country vicar; the pronoun ‘one’ put to good use (Eustace—dreadful name! One thinks at once of a parson’s dog-collar); ditto for the adverb ‘rather’ and the adjective ‘dreadful’ (Ben says it’s dreadful. They’re trying to do a telescoped version of ‘The Wind in the Willows’, and it won’t telescope.)
Then, it is Elizabeth Goudge. I find Goudge in a category of her own. She is spiritual, at times mystical, fantastical (Faerie, but just in cameo appearances), romantic in the sense of the woods being infused with symbolism, almost medieval.
But her characters deal with modern problems that most authors of her genre would avoid. One man falls in love (inexcusably, I’d say: one must recognize boundaries) with the wife of one of his relatives. This complex relationship is the focus of her first book, but isn’t completely resolved until the third. Goudge’s parents have favorite children. Some of the marriages lack love. One character’s violent past is haunting.
There is a strong sense of place. Damerosehay, a large eighteenth century house purchased by the Grandmother, home base for the Eliot family, is the focus of book one. The Herb of Grace—a Pilgrim’s Inn, where sojourners stay on pilgrimage to a sacred place—is more ancient, with deep history in its walls. George and Nadine’s restoration of this Inn is the focus of the second book. The third book adds Lavender Cottage, a small place where Margaret and Lucilla can retire.
Her themes resonate with me: determined contentedness; work as a sacramental offering; the mystery of small joys; beauty indoors and outdoors, interior and exterior; the inscrutable connection between twins; aging, grandparenting, and above all else, relinquishment.
“Relinquish.” It was a good word. It suggested not the tearing away of treasures but the willing and graceful sacrifice of them. The Bird in the Tree
The twins mimic a blend of The Wind in the Willows, medieval crusaders, and pirates:
“Scrooge, scrabble and scratch.” repeated Jerry. “For the glory of God, my hearties. For the glory of God.” Pilgrim’s Inn
Hilary, wounded in the first world war, is stable, sensible, lovable.
Nevertheless, the tea was what he wanted. Heat, he thought, there’s nothing like it. All the best symbols have to do with light and fire and warmth. The Heart of the Family
Hendrickson has recently reissued the trilogy.
I took the top photograph at Shere, a picturesque English village. While I was in England, I darted into used bookshops looking for treasures. It is thence I found a first edition of The Herb of Grace (the English title for Pilgrim’s Inn), my favorite of the three books. I’d like to give away this book that has given me much pleasure. (It’s the first time I’ve used this widget. I hope it works.)
a Rafflecopter giveaway Congratulations, Di! You won the Herb of Grace book.
*It occurred to me that my definition of ‘treasure’ might not jive with yours. Here is a picture of the book. It is not a pretty book, but I love the inscription in the front “Jeanette Pound 1950” and I like old hardbacks.