By Jim Harper
So, as you all— I am Jim, by the way, the middle brother —as you all probably know, music is very important in the Harper family.
When we were growing up, we were each either assigned or picked an instrument to play… some of us went further with this than others. (laughter) And I always sort of thought of it in my mind as the Bach Family Orchestra. I sort of thought that maybe Dad had so many kids to fill the gaps in the orchestra. But, that never panned out.
So, Margaret played the cello. That was her division, her instrument. And she also played the piano, just like Carol and Dorothy. But she also loved to sing.
She got together with Judy Petke and Rosalyn Hines at Bair Lake Bible Camp — we spent most of our summers at Bair Lake Bible Camp — and they formed a trio: The Bair Lake Lovelies. And they had wonderful harmonies. And I think they even sang out here, in Lombard, under a different name: The Lombard Lovelies.
But I came across this quote by Garrison Keillor, who I think Margaret enjoyed listening to, from a piece he wrote, Singing with the Lutherans. And I presume by that, he meant Singing with Sanctified Brethren, because that’s who he grew up singing with.
“Lutherans are bred from childhood to sing in four-part harmony. It’s a talent that comes from sitting on the lap of someone singing alto or tenor or bass and hearing the harmonic intervals by putting your little head against that person’s rib cage. It’s natural for Lutherans to sing in harmony. We’re too modest to be soloists, too worldly to sing in unison. When you’re singing in the key of C and you slide into the A7th and D7th chords, all two hundred of you, it’s an emotionally fulfilling moment. I once sang the bass line of Children of the Heavenly Father in a room with about three thousand Lutherans in it; and when we finished, we all had tears in our eyes, partly from the promise that God will not forsake us, partly from the proximity of all those lovely voices. By our joining in harmony, we somehow promise that we will not forsake each other.”
So, when we turned off life-support for Margaret, we sang her into heaven. She lasted two songs, and her heart stopped.
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Here is my playlist for the prelude with some choice lyrics. One of my favorite piano quotes is from my sister Dorothy: Play the words.
Sweet, Sweet Spirit — Without a doubt we’ll know that we have been revived when we shall leave this place.
King Jesus — For He opens doors for me, doors I’m not able to see, That’s why I say King Jesus will roll my burdens away.
He’s Able — I know my Lord is able to carry me through.
Softly and Tenderly — You who are weary, come home.
There Is a Fountain — Redeeming love has been my theme and shall be till I die.
I Will Sing of My Redeemer — How the victory He giveth over sin and death and hell.
I Heard the Voice of Jesus Say — I came to Jesus as I was, so weary, worn, and sad. I found in Him a resting place and He has made me glad.
Wayfaring Stranger — I’m only going over Jordan; I’m only going over home.
Come Thou Fount — Tune my heart to sing Thy grace.
Abide with Me — Heaven’s morning breaks, and earth’s vain shadows flee; in life, in death, O Lord, abide with me.
My God Is Real — [written by Mahalia!!] His love for me is just like pure gold, My God is real, for I can feel Him in my soul.
Come, Ye Disconsolate — Earth has no sorrow that heaven cannot heal.
Precious Lord, Take My Hand — At the river I stand, guide my feet, hold my hand, take my hand, precious Lord, lead me home.
Blessed Assurance — Angels, descending, bring from above echoes of mercy, whispers of love.
From Alexander, the grammarian, [I learned] to refrain from faultfinding, and not in a reproachful way to chide those who uttered any barbarous or incorrect or strange-sounding expression; but tactfully to introduce the very expression which they ought to have used, in the course of an answer or assent or inquiry about the thing, not about the word; or by some other suitable suggestion.
— Marcus Aurelius
The timeline of my grammar life could be summed up in a few words: apathetic → indifferent → learned-through-teaching → pompous donkey → repellant sheriff → quieter → still learning manners.
There was a time in my life, alas, when I would not hesitate to correct your grammar, nay, when I would swoop down and pounce upon your words as an eagle dives for a fish. There was a time when I approved of scoldfests written by grammar purists.
There was a time, cough cough, when I publicly corrected my son in the middle of a toast at a wedding reception. Indeed, it’s true! But here’s the deal. He said, speaking to his brother-in-law (groom) and sister-in-law (bride), that “my mom should probably get a finder’s fee since two marriages happened because of her Grammar Class: First me and Jessie got married and now you two.” I could only stand up and say, “JESSIE AND I” … and the crowd roared with laughter. If it had been a art class or a science class I would never have said a peep!
I pray those times are behind me. I hope I’ve learned that people are more precious than words. There is a time to refrain from faultfinding.
I read and loved this book about 15 years ago. In a rare act of courage and rationality, I decided to sell it, a proclamation of shelf reclamation. Because, you know, when would I actually read these 624 pages again? Just opening the book and noting my penciled responses ushered in delight and rediscovery, then gnawing regret. I knew I had to pull some long nights and re-read it one last time. And get as much in my commonplace book before the deadline to mail it.
Rereading Civilization brought back all the best parts of home schooling and banished from memory the days of despair, inadequacy, frustration, exhaustion. What I loved was learning history, reading literature, connecting dots — the enlivening of a formerly dead subject.
Cantor, a Jewish historian from Winnipeg (Winnipeg is a delectable collection of syllables you have to repeat aloud ten times), is a winsome writer. The Civilization of the Middle Ages has been a bestseller for decades because his writing is both interesting and accessible.
I got a sense of the wide sweep of history, but reveled in descriptions like this:
Despite his scholarly achievements, Augustine was no armchair theologian. As a priest and as bishop of Hippo (a fairly poor, undistinguished, and remote town in North Africa), he was deeply involved in the lives and the problems of his flock. What Augustine said about people and God came not only from his multicultural background but from his profound commitment to the needs and troubles of people. This is a rare combination at any time, particularly within the church, whose scholars have usually been cloistered from the life of the community.
One other quote, fodder for thought:
One can posit this rule: The more important your family as the shaper of your life, the more medieval the nature of a society.
There is a bonus in the back. Ten movies that portray the Middle Ages. And *you* can access this list, including his commentary, free! Here’s how: click on the link above, which will take you to Amazon. Click on “Look Inside!” In the box under “Search Inside This Book” type in *film* (don’t type the asterisks). Click on page 567. Or you could check out my previous blog post on Medieval Movies.
Ironically, writing this review made me want more Cantor. I just ordered In the Wake of the Plague: The Black Death and the World It Made and I’ve added Inventing Norman Cantor: Confessions of a Medievalist to my wish list!
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The book is chock full of fun facts. Here are some that made it into my journal.
10th century technological advances:
the horse collar,
and lateen sails.
The average 11th century knight was 5’3″.
Vassal comes from the Celtic word for ‘boy’.
Three power blocks:
Both Constantine and Justinian I came from Balkan peasant stock.
The year 400 – at least 80% of the population
never moved more than ten miles from where they were born.
Year 1050 — 80% didn’t move more than
twenty miles from their birthplace.
Photo credit: Wikimedia Commons
The Boys in the Boat consumed me while I consumed it. I blew dry my thick mop on the low setting so I could read more of it each morning. For a two week stretch I managed to work the book into every casual conversation.
In short, the book is about rowing, about the University of Washington crew who took the gold at the 1936 OIympics. Daniel James Brown tells the story with skill, weaving the personal and team history of the crew, the craft of boat building, the Nazi propaganda guru, Leni Riefenstahl, together in so spell-binding a way that, even though you know the outcome of the final race, you have to turn the page to find out.
Certain elements of the story were bound to draw me in: Nazi Germany, a motherless child, boating, work ethic, craftsmanship, athleticism. But what captured me the most was the harmony, the heartfelt cooperation, required between the boys in the boat. If you don’t like some fellow in the boat, Joe, you have to learn to like him. The combination of humility and confidence, requisite to a good crew, fascinated me. My husband has built and rowed several duck hunting scull boats in his time. By default (and by interest—his nightly question is ‘what are you reading?’) Curt gets the first feedback from my reading. But there was no way I could simply tell him about the chapter on the art of boat building. I read it aloud and reveled in his comments and appreciation.
Reading in the age of YouTube means that the scenes recreated on page are available to watch on a screen. This short book trailer shows the stunning end of the Olympic finals. (I’m glad that I saw this after I read the book; knowing the back story helped me appreciate the significance that is hard to grasp in the few seconds of the footage.) What a thrill!
As I read I bumped into “old friends”: The Suzzallo Library, Grand Coulee Dam, Fritz Kreisler(how does a world-class violinist get into a book on crew?), Louis Zamperini of Unbroken fame, and Hugh Laurie. Yeah, that Hugh Laurie! If you loved Unbroken, odds are you will like The Boys in the Boat.
It’s called “swing.” It only happens when all eight oarsmen are rowing in such perfect unison that no single action by any one is out of synch with those of all the others. It’s not just that the oars enter and leave the water at precisely the same instant. Sixteen arms must begin to pull, sixteen knees must begin to fold and unfold, eight bodies must begin to slide forward and backward, eight backs must bend and straighten all at once. Each minute action—each subtle turning of wrists—must be mirrored exactly by each oarsmen, from one end of the boat to the other. 160
End-of-life discussion: We recently had a conversation with a group of informed friends which has shoved its way into the front of my thoughts every day since. One book referenced was Jennifer Worth’s (of Call the Midwife fame) memoir In the Midst of Life. I want to blog about it once I’ve corralled my thoughts. Before that talk, my husband and I sat down to each fill out an Advance Directive, thinking we could accomplish this task in twenty minutes. Whoa!! We are different. Those ADs still sit on my desk….
Survivor: We’re having lunch with my mom’s brother, my one remaining uncle, next week. He is sensible to the position he holds, as repository of family lore, and is actively sending me photos and information. He exudes good cheer and laughter, turning a pun, teasing himself, loving life. When we talked on the phone this morning, he was preparing to plant potatoes.
Hunger Games: Curt’s co-worker really wanted Curt to listen to HG so they could talk about them. In a throwback to the early days of marriage, we have cleaned up the kitchen (or not), turned the lights off, sat on a comfortable chair in our living room, and listened to a few chapters each night.
Later one night, we enumerated the allusions to the Roman Empire. Curt then said one word: Panem. But he thought he was saying: Pan Am.
I, thinking how fun it was to have pillow talk in Latin, replied et circenses.
Huh? a perplexed husband.
Bread and circuses, I expatiated.
You said “bread”, I said “and circuses.” You know! Rome! Entertain the masses.
Babe, I thought the city was Pan Am...like Pan American, or something.
And the laughter from that exchange was propelled me through the week.
Follow the threads and look what you find: I’m slogging through Stephen Ambrose’s Eisenhower Volume II: The President. Confused, I needed to differentiate the Dulles brothers: Foster Dulles—the DC airport is named after him—was Ike’s Secretary of State, and his brother, Allen Dulles, was head of the CIA. I’m forever curious about famous people’s children. Foster Dulles’ son, Avery Dulles, (1918-2008) was a Jesuit priest who has piqued my interest. His farewell “speech” (read by another because of his loss of speech) includes these words:
Suffering and diminishment are not the greatest of evils but are normal ingredients in life, especially in old age. They are to be expected as elements of a full human existence.
Well into my 90th year I have been able to work productively. As I become increasingly paralyzed and unable to speak, I can identify with the many paralytics and mute persons in the Gospels, grateful for the loving and skillful care I receive and for the hope of everlasting life in Christ. If the Lord now calls me to a period of weakness, I know well that his power can be made perfect in infirmity. “Blessed be the name of the Lord!”
When Hope at Worthwhile Books reviewed Elizabeth Goudge’s first novel, I wanted to read it. The setting is St. Pierre, the capital of Guernsey, a channel island between England and France. Island Magic quenches two of my current fascinations: island culture and late 19th century rural life.
André and Rachell du Frocq are barely eeking out a living on a farm called Bon Repos (“Good Rest” or, as I like to translate it, “Sweet Tranquility”), a place that comes with a benediction written on stone outside the farmhouse:
Harbour and good rest to those who enter here,
courage to those who go forth.
Let those who go and those who stay forget not God.
The characters of André, Rachell, their five children, Grandpapa, and the stranger Ranulph— who is taken in after a shipwreck—, are vivid and unique; they linger in my thoughts days after I finished the book. Among the five siblings are a humanitarian, a poet, a failed academic, an adventurer, and a joyspring.
The story is sad and yet not without hope. The children have individual minor tragedies, they also have the confidence and security of being part of a bustling family. The tension resides between husband and wife as they begin to think about conceding failure at farming. The stranger’s assistance is helping the bottom line, but brings more marital conflict.
Typical of Goudge, there is a fairy element in the story. Themes of faith, bitterness, the value of beauty, hard work, service, gratitude, grief and sacrifice make the story shimmer. One point of the plot beggars belief. Of course I can’t identify it without giving away part of the story.
Rarely—and happily— I come across a sentence, with which I can fully relate, and about something I’ve never before seen in literature. Island Magic delivered! This
is used to be me!!
How thankful she was for her one great gift—the gift of making her nose bleed at will.
Here is a great Christmas quote:
Christmas Day at Bon Repos was something terrific. The du Frocqs took the whole of December preparing for it and the whole of January recovering from it.
Goudge’s mother was a native of Guernsey; summer visits to the grandparents were part of Goudge’s childhood. Her final thoughts on island living in this book are a bit idealistic, but they reflect some of the necessities of interpersonal relationships in a closed society.
You can’t be an individualist on our Island. There’s so much magic packed into so small a space. With the sea flung round us and holding us so tightly we are all thrown into each other’s arms—souls and seasons and birds and flowers and running water. People understand unity who live on an island. And peace. Unity is such peace.