A Letter to Mom

I wrote a poem using the Golden Shovel form that I learned from the poet Nikki Grimes. This form uses the words from one poem to create a new poem, using the original as the last words of each line. I was looking for a Mother’s Day poem, and happened across the words my son Carson once wrote to me. Thank you, Sonny! I honor you for the hard work, blood, sweat, and tears that you poured into me as a child; and want you to know that these have been small seeds planted in my life, but they have reaped a bounty of blessings on me.

To Nellie Harper (3/23/1920 – 5/7/1968)

Your letters to Dad came to mind as I
longed for a way to love and honor
your memory, your rich legacy. You
never imagined that strangers would look for
your quotidian news with pleasure. The
grace with which you accepted the hard
reality of separation and leaned into your work
kindles my affection and warms my blood.
You were never one to sweat
the small stuff, nor did you melt when things got tough. And

though you confess to getting depressed, tears
on your face are no memory that
your children hold. You
made tuna sandwiches and poured
milk with good cheer, not going into
a dither when money ran out. For me,
I wish I had studied these letters as
a young mother. They are a
fount of wisdom in child
nourishing. And

though we lacked funds, there was no want
in faith, in affection, in friendship. You
took your youngsters to
Sunday School, taught them to know
God, their Heavenly Father, and trust that
He would provide all of these
needs. What wealth we have!

Your story has been
full of love for people, both great and small.
You scattered seeds
of kindness and planted
strength, courage and truth in
my siblings and into my
beautiful and blessed life.
I miss you fiercely, but

I am grateful for your letters. They
remind me again of all we have
been given. Your investment in lives has reaped
a harvest whose yield continues, a
compounding bounty.
You sang a song of the faithfulness of
God, of morning’s new mercies, of blessings
all mine, of bright hope for tomorrow. On
this Mother’s Day I thank you for loving me.

The brothers: Jimmy, David, Danny, Johnny
The sisters: Margaret, Dorothy, with Carol (me) in front
The parents: Nellie and John Harper

Knowing Joy, Knowing Woe

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The tag line for my blog could also be my life’s theme:

Solid joys, deep sorrows, aggressive hope.

Last year a persistent, present grief pressed down my heart. I knew, though, that I couldn’t abandon joy. Grief would need to make room for a roommate: joy was moving in. They would have to cohabit.

I remembered that metaphor as I read this line from an early C.S. Lewis poem:

Be as the Living ones that know
Enormous joy, enormous woe.

The poems are in Spirits in Bondage, a collection of 40 poems written by Lewis between the ages of 16 and 19.

 

Sailing Alone Around the Room

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In my ideal life, I would keep poetry on my nightstand. In my perfect life, I would read it regularly. Sailing Alone Around the Room  had been ensconced there nine weeks;* when I ran out of renewals I started reading.

Humor, the deep-from-within-the-DNA-funny, permeates this poetry.

The first poem places a neighbor’s dog in a Beethoven symphony,
while the other musicians listen in respectful 
silence to the famous barking dog solo, 
that endless coda that first established
Beethoven as an innovative genius.

The poems centered around music (and their abundance) delighted me.

I swooned reading Sunday Morning with the Sensational Nightingales that spoke of the power of gospel music on the radio to create a minor ascension. I’ve been in the car, I’ve been transported. I could hear the overtones; I became a church lady with a floppy hat and matching pumps calling out, “Yes!”

I was pleased to learn a new form of poetry (I won’t mention the name); I did a search to read more. Then I roared with laughter. The joke’s on me — this is a parody! It was a small consolation that book reviewers and other poets also missed the satire.

Another tickle, this in a title:
Reading an Anthology of Chinese Poems of the Sung Dynasty,
I Pause to Admire the Length and Clarity of Their Titles

Collins always surprises me. He twists words, insisting I see life from a changed perspective.

* How it got there: reading Amor Towles’ Rules of Civility  made me curious to see Walker Evan’s photography. In my library’s poetry section was Something Permanent, Evan’s photography paired with Cynthia Rylant’s poems. While my fingers trailed the bindings, I saw Billy Collins. Like ice cream, there’s always room for Billy Collins.

The title reminds me that I still have Joshua Slocum’s 1900 book, Sailing Alone Around the World, on my To Be Read shelf. And also William F. Buckley’s sailing books. Also unread.

Dipping Into Poetry

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My beautiful niece turned 30 this week. Her thoughtful husband decided the best present would be a book with a poem for each year of her life, written by family and friends. I was honored to be asked to contribute and not a little intimidated. Emma is a journalist and her husband Glyn heads the English Department of an International School.

It was delightful to wrestle with words, hugging one than pushing it away. I was overjoyed to use a jewel of a word—Festschrift— borrowed from German in the title. A word my beloved Latin teacher taught me: it means a collection of writings to celebrate a scholar. I’ve read Festschrift a few times but have never actually used it till now.


A Festschrift for Emma: 1996

We gathered the untethered Harper family,
the only assembly ever lacking a wedding or funeral,
one summer week at Stormy Lake.

How you entered the water,
if you leapt or dove,
is a forgotten detail.

What matters is how you surfaced—
surging upwards to the air,
water coursing through your hair,
buoyant, exuberant, confident.

The woman you are today
was visible in the girl who
broke the plane, rising above
the line which divided water and sky.

And Some More Bookish Questions

DSC_0245Sherry at Semicolon posted this fun meme this morning. Here are my answers (today).

1. What propelled your love affair with books — any particular title or a moment?
I grew up in a book-saturated home: books in every room, books in front of every face; never a day without books. Books were not allowed at the dinner table, but most of us tried at one time to hold a compelling book in our lap, under the table, and keep reading. It was inconceivable to grew up a Harper and not love books.

2. Which fictional character would you like to be friends with and why?
Laura Ingalls Wilder was my first fixation and she remains with me, especially at this time of the year. Yesterday, I was making a year’s supply of fire starters (dryer lint stuffed into egg cartons with melted wax poured over it) and thought of Pa and Ma’s preparations for winter. (OK, I missed the word fictional…give me a pass, please?)

DSC_65453. Do you write your name on your books or use bookplates?
All but the best books I read are on a rotation: in the house, read, out of the house. When I write my name I always write it in pencil. I’ve found that the book I love today and think I’ll keep forever might get the boot in ten years.

4. What was your favourite book read this year?
Carol Montparker’s memoir, A Pianist’s Landscape. Here’s a sample. I think an essential mark of an artist is how he or she recovers from a mishap.

5. If you could read in another language, which language would you choose?
Not just one. I’m starting to twitch from the demands of decisions. I’d love to read my father’s Greek New Testament with the cranberry cover. I’d love to read the Latin books on my shelf. I’d swoon if I could read a French book aloud with exquisite pronunciation. And why not Russian? Or Arabic? Or Portuguese?

6. Name a book that made you both laugh and cry.
Jan Karon’s return to Mitford produced loud guffaw-laughs, ugly cries, and everything in between.

7. Share with us your favourite poem.
That f word is making me crazy, even with the charming British spelling. Gerard Manley Hopkins Pied Beauty. Billy Collins The Lanyard . To snort with laughter at his Litany….And you are certainly not the pine-scented air. There is just no way that you are the pine-scented air. There is Wendell Berry’s Manifesto with those last two words: Practice resurrection.

But in this moment, my mind goes to Michelangelo’s LXXIII.

Well-nigh the voyage now is overpast,
And my frail bark, through troubled seas and rude,
Draws near that common haven where at last
Of every action, be it evil or good,
Must due account be rendered. Well I know
How vain will then appear that favoured art,
Sole Idol long and Monarch of my heart,
For all is vain that man desires below.
And now remorseful thoughts the past upbraid,
And fear of twofold death my soul alarms,
That which must come, and that beyond the grave:
Picture and Sculpture lose their feeble charms,
And to that Love Divine I turn for aid,
Who from the Cross extends his arms to save.

I love that old translation, but I have a newer one tucked into the page. Which one do you prefer?

Unburdened by the body’s fierce demands,
And now at last released from my frail boat,
Dear God, I put myself into your hands;

Smooth the rough waves on which my ship must float.

The thorns, the nails, the wounds in both your palms,
The gentleness, the pity on your face—
For great repentance, these have promised grace.
My soul will find salvation in your arms.

And let not justice only fill your eyes,
But mercy too. Oh temper your severe
Judgment with tenderness, relieve my burden.

Let your own blood remove my faults and clear
My guilt, and let your grace so strongly rise
That I am granted an entire pardon.

Please join me and link to your answers (or just write them there) in the comments. If your time is limited, take just one question.

What’s on Your Nightstand, March 24

DSC_3970Although I love the concept of What’s on Your Nightstand, a monthly overview of one’s reading, I have only participated a few times. In a rare and wonderful synchronicity, I  deep cleaned my nightstand area yesterday.

My husband had surgery two weeks ago (he’s fine, thank you) that allowed me seven hours of reading in the waiting room. There was a huge flat-screen TV that looped through Travels in Europe with Rick Steves for 4.5 hours. Eventually, a penguin documentary came on. Occasionally I glanced up, but it wasn’t bad background sound.

Keeping my mind occupied was A Pianist’s Landscape, a book of essays about playing, learning, performing and teaching the piano. This was a book sale find. The cover and title drew me in. Carol Montparker is a Steinway Artist; her essays have been in the New York Times. Delightful!

I’m working on consistently reading poetry. It’s one of those things that takes an effort, but offers rich rewards. I found Wis£awa Szymborska (w sounds like /v/, £ sounds like /w/; thus, Vees WAH vah shin BORE skuh) funny, dark, random, full of irony, beauty and profundity. Many poems didn’t strike a chord in me. But some did. When asked why she didn’t write more poems, her answer was “because I have a trash can at home.” I kept forgetting that these poems had been translated from Polish. The translations are magnificent!

“Disappointing” — two historical novels. Widow of the South centers on the Carnton Plantation near Franklin, TN. I didn’t like that a major part of the plot centered on a contrived and fictitious relationship between Carrie McGavock and one soldier/patient. It was a weird Jayber Crow-ish intimacy.

A Separate Country tells the story of defeated Confederate General John Bell Hood’s life after the war in New Orleans. He marries Anna Maria Hennen, a young society belle, and they have 11 children in 10 years, including three sets of twins. The author uses a scaffolding of facts but most of the story is fanciful. The tone and language is a bit salty for my taste.

I made small progress on my goal to read through Shakespeare’s canon with Henry IV, Part 1 and Part 2. Before I read these, I had thought Falstaff was witty and clever. No, sirrah! His self-aggrandizing, manipulative, lying behavior erased any gladsome thoughts of this main Shakespearean character.

My Kindle read – did you know if you have Amazon Prime you can borrow a book a month on your Kindle? I’m a junkie for books on how to write. To say I have dozens would be only a minor stretch. I love to read them, to re-read them, and to promise myself that someday I will do what they say.

I was reminded to slash away at adverbs and adjectives. Yes. But I really enjoyed Rosenblatt’s comments on education: “Teaching takes a lot of wheedling and grappling but basically it is the art of seduction. Observing a teacher who is lost in the mystery of the material can be oddly seductive.”

Audiobook  This long audio book was mostly tedious, but I was so glad I finished this life of Anna Leonowens. I was reminded how powerful a teacher can be. Prince Chulalongkorn attributed to Anna the decision he made to abolish slavery (without war!) in Siam (Thailand).

For Fun   I love Jane Austen, but I don’t consider myself a Janeite. Among the Janeites was an entertaining read. What struck me was how many ways there are to read Austen. People see virtue, wisdom, feminism, eroticism, autism, therapy, and more in her books.

DSC_3968Reading in preparation for Easter: Silence, by Shushaku Endo and Nikki Grime’s At Jerusalem’s Gate, Poems of Easter.

The Pageant of Digits

Talk about happy timing! I read Wistlawa Szymborska’s Poems New and Collected discovering this gem **before** Pi day!

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Happy 3.14.15

Pi

The admirable number pi:
three point one four one.
All the following digits are also initial,
five nine two because it never ends.
It can’t be comprehended six five three five at a glance,
eight nine by calculation,
seven nine or imagination,
not even three two three eight by wit, that is, by comparison
four six to anything
two six four three in the world.

The longest snake on earth calls it quits at about forty feet.
Likewise, snakes of myth and legend, though they may hold out a bit longer.
The pageant of digits comprising the number pi
doesn’t stop at the page’s edge.
It goes on across the table, through the air,
over a wall, a leaf, a bird’s nest, clouds, straight into the sky,
through all the bottomless, bloated heavens.
Oh how brief—a mouse tail, a pigtail—is the tail of a comet!
How feeble the star’s ray, bent by bumping up against space!

While here we have two three fifteen three hundred nineteen
my phone number your shirt size the year
nineteen hundred and seventy-three the sixth floor
the number of inhabitants sixty-five cents
hip measurement two fingers a charade, a code,
in which we find hail to thee, blithe spirit, bird thou never wert
alongside ladies and gentlemen, no cause for alarm,
as well as heaven and earth shall pass away,
but not the number pi, oh no, nothing doing,
it keeps right on with its rather remarkable five,
its uncommonly fine eight,
its far from final seven,
nudging, always nudging a sluggish eternity
to continue.

Poem by Wislawa Szymborska
Translated from the Polish by Stanislaw Baranczak and Clare Cavanagh

 

My Thanksgivings

DSC_2423I’m thankful for the gloaming,
old hymns in minor keys,
For Reepicheep the Valiant
and our comfortable Jeep.

Forgiveness for besetting sins;
wood that crackles while it heats,
Bach’s glorious Passacaglia,
fresh mint in my smoothie.

For long long-distance phone calls,
long interlibrary loans,
long BBC programmes,
long tables set with love.

I’m grateful for grandsons, boisterous and brave,
for solo granddaughter’s exuberant cheers,
for garlic in olive oil, for book-lined walls,
for Welsh men’s voices, giving me thrills.

Pumpkin soup, spicy cauliflower,
Billy Collins’ poems, a good red,
Jack Johnson on a Friday night,
and uninterrupted sleep.

Truth, beauty and goodness,
goodness and mercy —
a life bejeweled in mercy.

For bedtime laughter,
down comforters,
freedom from debt.

I praise God for reconciliation,
John Rutter and
friends who want my books.

For the long lens,
Hand-painted cards,
alliteration and articulation.

For the befluttering be-prefix,
Besotted am I—beguiled—,
Bespectacled, bestowed,
Beholden, begladdened,
Beloved.

Extended family, a wedding in Maine, lingering memories.
Gathering from distant corners,
beauty bedecked with generosity.

Reunions:
Finding new friendship with old friends,
Finding old friendship with new friends,
kinship renewed, connections rekindled.

For a sister who suffers
Yet bears it with grace,
choosing silence
When tempted to complain.

Pesto, bubble wrap, a man and guitar on a stage,
Asparagus, steam, good water from the tap.

Sons who move in with their elderly mothers,
Daughters-in-law who joyfully rearrange life.

I’m thankful for the death of death,
for mingled tears, for clean grief.
For new widows who’ve discovered joy (!)
in the suburbs of sorrow.

Asian noodle salad, cilantro, Athanasius.
I will always be grateful for Athanasius.

I give thanks for comfy sweaters, for jeans that fit,
Direct communication and southern windows.

For a working esophagus, for toenails and elbows,
For friends who travel and post pictures,
Different cultures, different customs,
same humanity.

Countless gifts of love.

Between Silk and Cyanide, A Codemaker’s War

“Put down on a half a sheet of paper what difference silk codes would make to our agents.”
“Half a sheet at most!” echoed Davies.
‘I think it could be done in a phrase, sir!’
‘Oh?’ said Courtauld. ‘We’d be interested to hear it.’
‘It’s between silk and cyanide.’

“This book is not a casual read,” I thought, as I waited for my tire to be repaired. A gargantuan TV, three feet away from me, was blaring the Country Music Awards; I was mouth-breathing, an inefficacious strategy to ignore the overwhelming smell of rubber, and reading three times a paragraph on coded message, attempting to comprehend it. After failed attempts at deciphering acronyms, I made my own code on the inside cover with their meanings.

84-charing-cross-road Knowing the author, Leo Marks, was the son of the owner of the bookshop made famous in Helene Hanff’s 84, Charing Cross Roadwas a big draw to this book. There are many references to the bookshop; it would be helpful, but not essential to have read it first. Although Hanff’s story is set after the war, knowing it provides a fun context.

At twenty Marks begins fighting the Fuhrer with his cryptography skills. He trained agents headed for enemy territory to send and receive messages in a code based on a famous poem the agent had memorized. The problem with poem-codes is that the enemy cryptographers could break the code if they figured out which poem was used. If an agent was captured, he or she would swallow cyanide to keep from telling secrets under torture. The enemy would often continue sending and receiving messages, concealing the knowledge of the capture.

Even as an understudy, Marks understands the the system’s vulnerability. He begins writing original poems for use, a few of which have become famous. Over time he threads together a remarkable innovation to use a one-time, disposable code printed on silk, easily burned after use. This book is the story of his failure and success to spin his silk idea to his superiors.

Marks’ agility with language delights.
→ As a boy he studied the mating habits of the alphabet.
→ A superior officer had a knack for switching on silence as if it were air conditioning.
→ He writes about a desk so small, it was like keeping vigil on a splinter.
Could we have a quick word? He was a verbal weight-watcher.

Marks relates the story of his intelligence with self-deprecating jabs.

The need to justify and its sister frailty, the need to boast, were lethal weaknesses in SOE, and the shock discovery that I was prone to both started me worrying about the coders of Grendon.

While his acute concern and the initiatives he made to protect the safety of the agents shows remarkable maturity for a young twenty to twenty-three year man, the bawdiness that occasionally pops up reminds the reader that he was indeed still close to adolescence.

The story of the code-war fascinated me. I enjoyed the book more after I stopped trying to be an agent in training, when I kept going after I read the explanation without understanding. <grin>

On Christmas Eve, 1943, Leo Marks got word that his girlfriend Ruth had been killed in a plane crash in Canada. He wrote this short poem, which he later gave to an agent Violet Szabo. Wikipedia tells me this poem was read at Chelsea Clinton’s wedding.

The life that I have
Is all that I have
And the life that I have
Is yours.

The love that I have
Of the life that I have
Is your and yours and yours.

A sleep I shall have
A rest I shall have
Yet death will be but a pause.

For the peace of my years
In the long green grass
Will be yours and yours and yours.