A Week at the Airport

 

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The airport and the DMV are the two best places in the world for the sport of people-watching. For diversity, there is no better place in the world than London’s Heathrow airport.

Alain de Botton was hired by British Airways to spend a week at Heathrow’s Terminal 5 and write a book about his experience. It is an engaging read, easy enough to complete in one sitting, but worthy of a slower pace. It examines why we fly, the intersection between art and commerce, the choreography of an ediface that took 20 years to build. You might think of it as “light plus” reading. There are photos on every page (that’s the light). With the book classified as Travel/Philosophy, there is more commentary on life than on luggage (that’s the plus!).

The book reminded me of reading The Geography of Nowhere. Of course it did! There’s a full-circle connection: LaurieLH remarked that Geography of Nowhere was similar to a book she was reading by Alain de Botton, <a href="http://www.xanga.com/private/“>The Architecture of Happiness. It was in looking for The Architecture of Happiness at my public library, that I found A Week at the Airport!

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From the management required to keep airline employees congenial
 to the elegance of the steel columns supporting the 18,000 ton roof
 to the devastation of parting lovers
 to the way a domestic squabble so quickly erodes the joy of a vacation
 to the expectations of travelers arriving at the reception zone,
I found it delightful. Not earth-shattering, nor life-changing, but a mixture of trivia and truth.

Some quotes:

Despite its seeming mundanity, the ritual of flying remains indelibly linked, even in secular times, to the momentous themes of existence—and their refractions in the stores of the world’s religions. We have heard about too many ascensions, too many voices from heaven, too many airborne angels and saints to ever be able to regard the business of flight from an entirely pedestrian perspective, as we might, say, the act of traveling by train. 62

Considered collectively, as a cohesive industry, civil aviation had never in its history shown a profit. Just as significantly, neither had book publishing. 79

The notion of the journey as a harbinger of resolution was once an essential element of the religious pilgrimage, defined as an excursion through the outer world undertaken in an effort to promote and reinforce an inner revolution. Christian theorists were not in the least troubled by the dangers, discomforts or expense posed by pilgrimages, for they regarded these and other apparent disadvantages as mechanisms whereby the underlying spiritual intent of the trip could be rendered more vivid. 104

I appreciated de Botton’s thoughts about setting up a desk smack dab in the middle of the terminal:

Objectively good places to work rarely end up being so; in their faultlessness, quiet and well-equipped studies have a habit of rendering the fear of failure overwhelming. Original thoughts are like shy animals. We sometimes have to look the other way—towards a busy street or terminal—before they run out of their burrows. 42

Three Children’s Classics

 
 
The Prince’s name—Dolor, which means grief—sets the tone. When his nurse was carrying the infant she dropped him, causing him to be lame. Here is a tale with a fairy godmother, a wicked king and a magic cloak. There are no instant fixes. The godmother tells Prince Dolor “I cannot alter your lot in any way, but I can help you to bear it.”. Many children’s books from the Victorian era can be sickly sweet and cloying—treacle—or tediously preachy. This book, thankfully, was light on both counts.

The sense of the inevitable, as the grown-up people call it—that we cannot have things as we want them to be, but as they are, and that we must learn to bear them and make the best of them—this lesson, which everybody has to learn soon or late—came, alas! sadly soon, to the poor boy. He fought against it for a while, and then, quite overcome, turned and sobbed bitterly in this godmother’s arms.

Where Dinah Mulock sees the inevitable (Fate), I see divine providence. If I were reading this to a child, we would talk about the difference between fate and providence and how those differences would affect our responses.
 
When we see people suffering or unfortunate, we feel very sorry for them; but when we see them bravely bearing their sufferings, and making the best of their misfortunes, it is quite a different feeling. We respect, we admire them. One can respect and admire even a little child.

[My edition had two other stories by Dinah Maria Mulock Craik. I found The Adventures of a Brownie, (a foot high old man who can only be seen by children) bland and blah. The lack of conflict or tension provided no hooks to hold my interest. Poor Prin was perhaps the ghastliest children’s story I have ever read. In those days an annual tax was levied on pet owners which the parents couldn’t pay. When a girl is instructed to take the dog to the landlord, she drowned the dog she loved to prevent him from going to a questionable home.  End of story. Ghastly, I tell you.]

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Do you reckon Tom Sawyer was satisfied after all them adventures? The answer, Huck Finn tells us, is no. Instead of a good float down the Mississippi, Jim, Huck and Tom glide in hot air balloon across the Atlantic and over Africa. It’s a fun romp—it is supposedly a parody of Around the World in 80 Days—with laugh out loud humor. Don’t get your knickers all knotted because Twain puts tigers in Africa or the balloon’s fuel and food are never replenished. Some sections are dicey for younger ones: the mad (in all senses) inventor is pushed out of the balloon over the Atlantic; they come across dead bodies in the desert.

Jim begun to snore — soft and blubbery at first, then a long rasp, then a stronger one, then a half a dozen horrible ones, like the last water sucking down the plug-hole of a bath-tub, then the same with more power to it, and some big coughs and snorts flung in, the way a cow does that is choking to death; and when the person has got to that point he is at his level best, and can wake up a man that is in the next block with a dipperful of loddanum in him, but can’t wake himself up although all that awful noise of his’n ain’t but three inches from his own ears.

Me and Jim went all to pieces with joy, and begun to shout whoopjamboreehoo…

“My goodness,” I says, “we’ll be as rich as Creosote, won’t we, Tom?”

They was all Moslems, Tom said, and when I asked him what a Moslem was, he said it was a person that wasn’t a Presbyterian. So there is plenty of them in Missouri, though I didn’t know it before.

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Nathaniel Hawthorne retells six Greek myths [The Gorgon’s Head, The Golden Touch, The Paradise for Children, The Three Golden Apples, The Miraculous Pitcher and The Chimæra] in A Wonder Book for Girls & Boys. Eustace Bright, the gifted poetry-writing college-aged narrator who calls his cousins Primrose, Periwinkle, Cowslip, Clover, Sweet Fern, etc. tells the myths with humor, intelligence and grace.

Sit down, then, every soul of you and be all as still as so many mice. At the slightest interruption, whether from the great, naughty Primrose, little Dandelion, or any other, I shall bite the story short off between my teeth, and swallow the untold part.

Hawthorne writes an interlude chapter before and after each myth that responds to the previous story and introduces the next.  There isn’t enough material in these interludes to give me a sense of each child’s personality (it would have been easier for me if their given names—Susan, Peter, David and Sally—were used); nevertheless, I enjoyed these chapters as much as I did the myths.

Ninety-nine people out of a hundred, I suppose, would have been frightened out of their wits by the very first of his ugly shapes, and would have taken to their heels at once. For, one of the hardest things in this world is, to see the difference between real dangers and imaginary ones.

Oh, how heavily passes the time, while an adventurous youth is yearning to do his part in life, and to gather in the harvest of his renown! How hard a lesson it is to wait! Our life is brief, and how much of it is spent in teaching us only this!

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Eisenhower

I am midway through a journey begun in 2008 to understand the 20th century.  The Great War took a year (of my time!); WWII about 15 months. Life circumstances slowed me down, but I’m cheerfully working through the post-war period and the Korean War.  One approach to history that I appreciate is studying the lives of key people. Voila, la bibliographie! [That is a private joke that only I understand: the first sentence I ever learned in French was “Chttt! Voila, la biblioteque!” translated: Be QUIET! There is the librarian! It was on a filmstrip (with accompanying vinyl album that had a bell signal to go to the next slide) we watched in French I.]

I wanted to know Eisenhower better. Stephen Ambrose admires his subject.  He begins, “Dwight Eisenhower was a great and a good man. He was one of the outstanding leaders of the Western World in this century.”  This is the first volume of a two-volume biography of Eisenhower. Anyone interested in leadership would benefit from reading Ike’s story.

Everyone brings a personal “grid” to their reading.  I was very interested in Eisenhower’s religious background. Much has been made of the fact that one of the world’s greatest generals was raised in a pacifist home. David and Ida Eisenhower were devout members of Brethren in Christ.  David’s nighttime reading was the Bible in Greek; Ida memorized 1325 Bible verses. And yet…

Nightly Bible reads, Milton said, were “a good way to get us to read the Bible mechanically.” They never discussed what they had read, never asked “Why?,” never explored the deep subtlety or rich symbolism of the Bible. It was the word of God, sufficient unto itself. The duty of mortals was not to explore it, investigate it, question it, think about it, but rather to accept it. 24

Two traits, ever helpful in his life, were manifest in young Ike’s life: intense curiosity and a remarkable ability to concentrate.  As an adult he had another remarkable ability: to shake a depression. Ambrose writes about his vitality:

That quality showed in his speech, in his mannerisms, his physical movements, most of all in his eyes. They were astonishingly expressive. As he listened to his deputies discuss future operations, his eyes moved quickly and inquisitively from face to face. His concentration was intense, almost a physical embrace. His eyes always showed his mood—they were icy blue when he was angry, warmly blue what he was pleased, sharp and demanding when he was concerned, glazed when he was bored. 272

As a general, Ike comprehended the sacrifice that both the soldiers and their families made.

Eisenhower wanted to let as many men as possible see him. He made certain that every soldier who was to go ashore on D-Day had the opportunity to at least look at the man who was sending him into battle. 294

He was the man who had to total up all the casualties. 293

…only Eisenhower had such a keen sense of family, of the way in which each casualty meant a grieving family back home. Eisenhower’s concern was of such depth and so genuine that it never left him. 293

It wasn’t until he was in his fifties, that Eisenhower received acclaim and notoriety, primarily as the Supreme Commander of Operation Overlord.  Eisenhower was also the NATO commander, president of Columbia University and president of the United States.  This volume ends with Eisenhower as President-Elect of the United States.

I found Ambrose’s book engaging and helpful. At no time did my interest lag. I was inspired by Eisenhower’s discipline, organizational skills and perception.

A fun coda: I have a habit of immersing myself in books on (relatively) obscure topics. I find myself wanting to discuss the ideas and events I have read about, but coming up short on conversation partners. Honestly, what would dampen a dinner party faster than, “I know, let’s talk about Truman and Eisenhower!”?  I discovered recently that among my acquaintances are a couple who were friends with Ike and Mamie Eisenhower during their retirement years in Gettysburg.  They were full of stories about the Eisenhowers. I lent them this book; Ray read it through in three days.  I’m looking forward to some great discussions.  An unexpected gift!

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Traveling with Truman

 

I like roads. I like to move.
~ Harry S. Truman

It’s one thing to write an interesting piece on a fascinating subject.  But a skilled raconteur can insert bits of flavor into a basic vanilla story and serve up a delicious treat. The subject of  Matthew Algeo’s Harry Truman’s Excellent Adventure is a June 1953 road trip former president Harry Truman and his wife Bess made.  I love road trips with my husband—some of the best conversations of our marriage have occurred in the car—but the thought of spinning a tale out of a drive down the turnpike makes my eyes go to half-mast and my chin bob.

In David McCullough’s exhaustive biography, Truman, the 17 day vacation gets less than two pages of print. The most remarkable thing about their adventure is that the Trumans, in their late sixties, traveled without Secret Service protection. Harry drove and Bess made sure he didn’t break the 50-mile-per-hour speed limit. They wanted to go incognito, but it was a rare exception when they were not recognized and approached by the public.  

Fifty some years later, Algeo retraces their route, wherever possible eating at the same diners and staying at the same hotels. (His lack of success in getting the “book rate”—for well-deserving but penny-pinching authors—at the Waldorf prevented a duplication of Truman’s itinerary.)

Algeo inserts quirky sidebars into the narrative (e.g. the economy of Decatur, the history of seatbelts, how Richmond, Indiana, treated Martin Van Buren) and notes changes in the places visited.  What Algeo brings to this book is humor; it is a fun and interesting read about an obscure topic.

Walking back to the limosine after lunch, Truman was mobbed outside the Capitol by tourists who had come to see the sights, never expecting to see one in the flesh. They crowded close to him, jostling for position, begging for an autograph or a handshake or a snapshot. As was his policy, he patiently obliged every request. Once, when asked how he coped with such onslaughts, Truman laughed and said he tried to put himself in other people’s shoes and imagine how he would feel “if some supposed big shop high-hatted me.”

After visiting Matt Algeo’s blog—the tagline is “America’s leading source for Grover Cleveland news”— I discovered that he has written a new book, The President Is a Sick Man: Wherein the Supposedly Virtuous Grover Cleveland Survives a Secret Surgery at Sea and Vilifies the Courageous Newspaperman Who Dared Expose the Truth. Oh yes, I plan to read it.

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Converting to Metric?

 

This is what a child (back then) needed to know about measurements. I don’t want to ponder on the method used to measure a mouthful. Eww!
Two mouthfuls are a jigger;
two jiggers are a jack;
two jacks are a jill;
two jills are a cup;
two cups are a pint;
two pints are a quart;
two quarts are a pottle;
two pottles are a gallon;
two gallons are a pail;
two pails are a peck;
two pecks are a bushel;
two bushels are a strike;
two strikes are a coomb;
two coombs are a cask;
two casks are a barrel;
two barrels are a hogshead;
two hogsheads are a pipe;
two pipes are a tun–
  and there my story is done!


The curious thing about reading S. Carl Hirsch’s 1973 Meter Means Measure is his assurance that the metric system would be ensconced by now into our society. His opening sentence:

A healthy American baby girl born in the year 2000 may tip the scales at exactly three kilograms–instead of 6.6 pounds. And her body temperature will undoubtedly read about 37 degrees–Celsius. At school age, when she is perhaps 100 centimeters tall and drinks a liter of milk a day, she may ask her father, “Daddy what was an inch?”

I found this history of measurement fascinating.  In the same way that working with different base numbers in mathematics takes you outside your comfort zone, thinking through different methods of measuring length, weight, time, and temperature boggles the mind.  Thomas Jefferson suggested this master plan for linear measurements:

10 points make 1 line
10 lines make 1 inch
10 inches make 1 foot
10 feet make 1 decad
10 decads make 1 rood
10 roods make 1 furlong
10 furlongs make 1 mile

Four questions illustrate the difficulty the English system of measurement.

How many acres in a square mile?
How many cubic inches in a bushel?
How long is each side of a square one-acre lot?
What is the weight of a quart of water?

Hirsch waxes eloquent on the superiority of the metric system. Yet there is great resistance to switching over. “Change,” Hirsch assets, “is strange.” It took Japan forty years to change over.  Great Britain did it in ten years. 

The United States, Myanmar, and Liberia are the only countries in the world not using the metric system. I admit that I was ambivalent about metrication before reading this book. We cling to what we know, how we were taught. Yet, I see the benefits of going metric. More on Metrication in the United States. And, just for comparison, Metrication in Canada.

What do you think?

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String, Straightedge, and Shadow

 

Storytelling is the most powerful way to put ideas into the world today.

—Robert McKee

Facts and theorems can be difficult to swallow.  They often get gunked up in the throat, remain lodged in the esophagus, useless for nourishment or growth.  But stories!  Stories get gulped down with eagerness and along with them much useful knowledge is digested.  Julia E. Diggins tells the compelling story of geometry in String, Straight-Edge, and Shadow.  Written for children, it would be beneficial to anyone interested in learning geometry. 

They used the string to trace a circle, to lay off a right angle, to stretch a straight line.
They used as a straightedge anything else with which they could draw a straight line.
They came to realize that shadows are the sun’s handwriting upon the earth to tell the
secrets of order in the universe.

Diggin’s story would be a great stand-alone read; individual chapters, however, could supplement studies of Mesopotamia, Egypt, Babylon, or Greece.  The solutions that geometry offers are told in the context of the problems people faced.  In the question of ancient property rights and surveying farmer’s fields, boundaries could not be casually (by freehand) drawn.  They needed to know how to trace an accurate right-angle corner.  The answer is in roper-stretchers, knotted rope, stakes…and the 3-4-5 right triangle.  Corydon Bell’s illustrations make geometry easier to understand.  What a pleasant introduction to Thales, Pythagorus, Eudoxus, Archimedes and Eratosthenes. 

 

You can read sections of the book herehere and here.  I leave with you the opening quote of this book, from Plato.

But by beauty of shape
I want you to understand
not what the multitude generally
means by this expression,
like the beauty of living beings
or of paintings representing them,
but
something alternatively rectilinear and circular,
and the surfaces and solids
which one can produce
from the rectilinear and circular
with compass, set square, and rule.
For these things are not like the others,
conditionally beautiful,
but are beautiful in themselves.

~ Plato

My New Favorite Book



  
P.G. Wodehouse meets Robert Louis Stevenson

Mix two parts E. Nesbit with three parts Jerome K. Jerome

Here is a diamond of a book! 

I want to wave down readers and persuade them to read this gem.

Auntie Robbo is a rollicking tale of an orphaned boy, Hector Murdoch (11), and his great-grand-aunt and guardian, Robina Sketheway (81). They got on as well together as any two people possibly could.

Their idyllic whimsical life at Nethermuir, twelve miles from Edinburgh, is threatened when Hector’s step-mother, Merlissa Benck, a woman he has never before met, visits with the aim of adopting Hector.  She sniffs around and is appalled at the the lifestyle of this unusual pair.

“But what about … Hector, wait for me … What about other subjects?”

“Oh, Auntie Robbo knows all about them. Sometimes we do sums. We keep account books, and history—lots of history; then afterwards we ride over the battlefields and go and look at the castles where the murders were done.”

“I dare say,” said Merlissa Benck shortly. “But I should have thought British history would have been more suitable for a boy of your age, indispensable in my opinion. England’s story is a very great and noble one.”

“Yes,” said Hector. “But then we couldn’t ride to the battlefields, could we? I mean they were mostly fighting in places that didn’t belong to them, weren’t they?”

 
Hector is smart enough to apprehend the intent of Merlissa Benck: how easily she could “prove” dear unconventional Auntie Robbo was mad, stake her claim and clap the lad into dreaded public school.  So Hector and Auntie Robbo slip away at night.  On the train from Edinburgh they pick up three waifs: a brother, sister and cousin.  Fugitives, they live in a tinker’s cart, traveling through Scotland.   

And when the fresh curling trout had been eaten, with a mound of scones and butter, they lay late round the fire, swilling cocoa, arguing again about stags and cows, telling stories, and looking back on yet another well-spent perfect day.

Auntie Robbo is magnificent: a hale and hearty woman, opinionated, kind, an octogenarian who hikes hills and understands boys.  No morality tale here, no treacle, no dour Scottish frowns, just a thumping good read.

My journey to Auntie Robbo was through Russell Kirk’s autobiography.  While studying at St. Andrews, Kirk became friends with the widower George Scott-Moncrieff.  One phrase intrigued me: his wife Ann, who wrote inimitable children’s books… 

A search on her name introduced me to Auntie Robbo, which is printed in full at GutenbergI dare you to read the first chapter.  I had to decide whether to buy the book (which involved waiting at least ten days), print the book (115 pages) or read it online.  I opened my laptop, used “Control +” to increase the font size and read all 22 chapters in one sitting.

Here is a buffet of Scott-Moncrieff’s delectable sentences:

He slipped out of questions like a mackerel fry through a herring net.

There was a spluttering of laughter like geese being chased across a field.

And the sea, deep and green as oil silk, swayed and sucked about the feet of these cliffs, growling with hunger, like an old lion who paws a gristly piece of meat and wonders if it’s worth a broken tooth and a belly-ache.

She thought she had slipped into her dotage….Years ago, round about seventy, she had accepted such things as inevitable, much as children accept that they will one day be grown up; but by this time she was eighty-one, she had forgotten about dotage and death again, and it was very unpleasant to be confronted by one of them suddenly.

This is a book I plan to read at least once a year until I slip into my dotage.  I laughed aloud; I disrupted my husband’s concentration, intruding with quotes. I have plans for read alouds with the grands.  I’m baffled why Auntie Robbo has remained unknown to me before now.


Auntie Robbo would make a fantastic full-length feature film.

Picture a madcap Maggie Smith with laughter and twinkling eyes, and you’ve got Auntie Robbo.

If I knew an ounce about writing a screenplay, I’d do it myself.

The Sword of Imagination

When I picked up Sword Of Imagination: Memoirs Half Century Literary Conflict I respected Russell Kirk.  By the time I finished the book I was quite fond of this charming articulate author. 

Kirk’s name doesn’t have the recognition that William F. Buckley Jr.’s does but they are closely connected.  In 1953 Kirk wrote The Conservative Mind: From Burke to Eliot, a book which had a great influence on Buckley’s thinking.  Like Buckley, Kirk was a cheerful conservative.  Like Buckley, Kirk was an excellent writer.  Unlike Buckley, Kirk came from modest means.
 
Kirk warns the reader in the preface:

Enthusiasts for modernity, the global village, the end of history, the gross national product, emancipation from moral inhibitions, abstract rights without concomitant duties, and what Samuel Johnson called “the lust for innovation”–why, such folk may be little pleased by my fulminations and vaticinations.

Dr. Kirk had an antiquated vocation: man of letters, an intellectual devoted to literary activities.  (An aside: To be a woman of letters is my ideal occupation: to read and write all day, all week, all year!)  Writing his memoirs in the third person,

Kirk believed that his political function it was to work upon the body politic by endeavoring to rouse the political and moral imagination among the shapers of public opinion — that large category including political leaders; opinion makers of serious journals, the mass media, the academy, and the church; and that unknowable crowd of individuals who, as Dicey points out, influence their neighbors by the strength of their convictions. By talent, he was a writer, a speaker, an editor. In the long run, conceivably he might demolish some molehills, if not move mountains. The only weapon with which he was skilled was the sword of imagination.

In this highly detailed autobiography Kirk outlines how he moved from a boy living next to the railroad yards to a nationally regarded intellectual. His peregrinations took him to Michigan State College, the Salt Lake desert, Duke University, St. Andrews, throughout the United States and Europe. 

The book reads like a popular history of the second half of the twentieth century.  Kirk writes engagingly of his encounters with many leaders: Richard Weaver, Donald Davidson, Flannery O’Connor, T.S. Eliot, Barry Goldwater, Lyndon B. Johnson, Hoover, McCarthy, Nixon, Reagan, and Pope John Paul II.  Never bland in his opinions, he writes generously of both of his convivial and and his adversarial relationships.

Kirk’s writing is both erudite and highly personal.  The winning of his young wife, Annette, is the kind of romance I enjoy reading.  Together they build a family (four daughters) and a community of scholarship and fellowship.  Kirk writes of his wife, “Openhanded, glowing with life, and discerningly compassionate, Annette Courtemanche Kirk turned the shadowy old house, without altering its character, into a center of charitable and intellectual undertakings, so that it was crowded with people of all sorts and conditions.” A young visitor paid the Kirks a supreme compliment calling their place the Last Homely House, a reference to Elrond’s Rivendell in The Lord of the Rings.   

One thing I found uncomfortable was Kirk’s love of ghost stories, haunted houses and his dabbling in things uncanny. 

I know a book was worth reading when the reading of Book A makes me want to read Book B,C,D,E and F.  I finished Sword Of Imagination with a renewed desire to read several books already on my shelves: Edmund Burke: A Genius ReconsideredIdeas Have ConsequencesThe Habit of Being: Letters of Flannery O’Connor (really, all things Flannery), T.S. Eliot’s Four Quartets (I need to become acquainted with Eliot), and a book on economics that Dr. Kirk wrote Economics: Work and Prosperity.    
   

She Married a Scottish Laird

 


I knew when I married the man that I married the mansion.

This is on my short list of great first sentences.  (N.D. Wilson’s (Leepike Ridge) is hard to beat: In the history of the world there have been lots of onces and lots of times, and every time has had a once upon it.)

On Rick Steve’s recommendation (in a UK guide book) I read Belinda Rathbone’s memoir The Guynd (rhymes with the wind). It is a poignant account of an American woman who marries a modern Scottish Laird.  Does this sound romantic? The stuff of Jane Austen, Robert Louis Stevenson, or the Brontë sisters?  Their quirky courtship is more dalliance than alliance.

When she married the laird, he offered her the land.  But the Guynd is not Pemberley; no servants dusted and hoovered the carpets.  “I had left Mansfield Park and entered Bleak House.”  Overwhelming effort is required to restore the run-down Georgian house and 400-acre estate.  But “the Lady” has determination and energy and good taste.  When they roll up the brown linoleum that was put down during WWII her spirits pick up the promise of more dramatic change. Anyone interested in interior decorating will join in the excitement.  Photos here.

I had no experience with rooms of these proportions or with architecture of this gravity. Small gestures were lost in the spaces, but large gestures were all the more daunting.

Different sensibilities and priorities create tension between John and Belinda.  The story begins with a crumbling mansion and ends, sadly, with a decaying marriage.  Belinda writes exceedingly well of modern Scotland: landowner-tenant relationships, tea rituals, famous frugality, education, sense of time, and the bitter cold.

So one learns to appreciate the native frugality within the context of generations upon generations of people born to poverty, and understand why the Scots might be inordinately grateful for small things and careful with what they have. When times are hard the Scots are better prepared for them than most of us, for a life of hardship is never buried too deep in the Scottish memory.

It was an easy/hard read.  For the portrait of Scotland, and the well-crafted prose, it was engaging, winsome, even charming.  For the heart-ache and depleted spirit, the seeming futility and failure of restoration and of relationship, it was depressing.

Marriage is like a house, I thought, staring up at a crack in the bedroom ceiling. It’s a shelter, first of all. And it needs to be kept in good repair. Signs of water seeping through the wall need to be investigated before the paint begins to flake off, a bare patch is exposed, the fabric begins to crack, and the job of fixing it is too discouraging, too expensive, simply the last thing you can be bothered to do.            

 

No Dark Valley

I am unenthusiastic about contemporary Christian fiction.

I’m not sure how this title ended up on my shelf, but I  gave it a go.  No Dark Valley is a phrase from a hymn (There’ll be no dark valley when Jesus comes to gather his loved ones home).  As a resolute lover of robust hymns, I found the best part of No Dark Valley to be Turner’s employing hymn phrases into chapter titles and into her prose, e.g. Ten Thousand Charms; Where Bright Angel Feet Have Trod;  Some Melodious Sonnet; Frail Children of Dust; And Grace Will Lead Me Home.  I’m often snipping little phrases from hymns for a bouquet of words.  This, alone, made the book worth reading.

There was a laugh out loud moment: … Grandmother’s pastor, who seemed to be trying to depict the concept of eternality by the length of his prayer

The protagonist, Celia, is a director of an art gallery.  The last five books I’ve read have referenced pieces of art, a delightful rabbit trail. No Dark Valley paired paintings and poems inspired by the paintings, a worthy exploration.  Here is Delmore Schwartz’s poem Seurat’s Sunday Afternoon Along the Seine; Cathy Song’s poem Girl Powdering Her Neck based on a Kitagawa Utamaro print; a Charles DeMuth, William Carlos William pairing.

I liked the hymn phrases and fine art references.  When she isn’t highlighting fine art, Turner pokes some fun at kitsch: Their idea of good art was sticking a calendar picture or an old greeting card inside a frame from Kmart.  And later: Her idea of good art was the newest Precious Moments figurine.

But the writing did not win me.  The reader is told in almost every chapter about Celia’s angst and remorse; the subtlety of showing Celia’s feelings by her facial expressions, position of her hands, physical responses would have been better. That, along with a predictable storyline and wooden characterization, haven’t changed my opinion of contemporary Christian fiction.