The Double Comfort Safari Club

DSC_8889The Double Comfort Safari Club is, I believe, a superb summer read. There’s a little mystery, several chuckles, a few snorts, a large dollop of satisfaction, a sob of grief, and beautiful words like quietude. When is the last time you’ve read quietude? It’s light reading that nourishes and feeds.

There is a moment that capsizes me. It’s when I read a phrase or paragraph that so perfectly captures what I’ve always known, but rediscover as though it is a new truth through the author’s description. That click makes me say Yes!, Of course!, or How did you know?

Here’s what I’m talking about:

Some kind people may not look kind. They may look severe, or strict, or even bossy, as Mma Potokwane sometimes did. But inside them there was a big dam of kindness, as there is inside so many people, like the great dam to the south of Gabarone, ready to release its healing waters.

And this:

…this woman, moved by some private sorrow as much as by the words being spoken, cried almost silently, unobserved by others, apart from Mma Ramotswe, who stretched out her hand and laid it on her shoulder. Do not cry, Mma, she began to whisper, but changed her words even as she uttered them, and said quietly, Yes, you can cry, Mma. We should not tell people not to weep—we do it because of our sympathy for them—but we should really tell them that their tears are justified and entirely right.

What makes me love Precious Ramotswe? The way she thinks of and remembers her late father; her sense of justice and putting things to right; her gratitude for the life she’s been given; her directness when dealing with difficult questions; her acceptance of the imperfections of life; her musings on the changes in Botswana, her unswerving hospitality; her patience with the impetuous Mma Makutsi. In a word, she is kind.

The Blue Castle

DSC_7838My first response to The Blue Castle was to draw back from the despair. Lucy Maud! How can you? Because, you see, Anne, the Green Gables girl, had a tough beginning in life and Emily, the New Moon girl, was hurt by horrible aunts and uncles; *but* both Anne and Emily knew she was cherished by her late mother and father.

Valancy Stirling has a mother—alive and kicking—who is overbearing, suffocating, domineering, disrespectful, and mean. We meet Valancy on her 29th birthday, shamed and teased because she hasn’t married. Life has no flavor, living is a grim prospect.

All her life she had been afraid of something…
Afraid of her mother’s sulky fits—
afraid of offending Uncle Benjamin—
afraid of becoming a target for Aunt Wellington’s contempt—
afraid of Aunt Isabel’s biting comments—
afraid of Uncle James’ disapproval—
afraid of offending the whole clan’s opinions and prejudices—
afraid of not keeping up appearances—
afraid to say what she really thought of anything—
afraid of poverty in her old age.

Valancy escapes her horrid little life by fantasizing about living in a Blue Castle in Spain, where beauty adorns her, women admire her and men adore her.

Valance becomes aware of a piece of information, a secret from the family; she throws off her bondage and inhibitions and forthwith says and does what she desires. Her family is shocked—shocked!—and thinks Valancy might suffer from mental illness.

BlueCastleThe plot takes some twists and turns, and Valancy ends up living her life of paradise on an island on a lake. L.M. Montgomery includes her hallmark descriptions of the seasons.

They went for long tramps through the exquisite reticence of winter woods and the silver jungles of frosted trees, and found loveliness everywhere.

I am torn by this book. I can’t help but holler hallelujah! when she leaves her loveless family. Happy Independence Day! The happiness she finds is, however, very private, very insular. I doubt that life can be so fulfilling when lived without community. I’m not a fan of what Valancy says about living life to please herself…whoo, boy, that’s a recipe for misery. But I love the compassion she shows to a single mother shunned by society.

I laughed aloud at the imitation swearing comment. A reference that made me snort but will only be caught by those who know old hymns. Maud surely knows how to make fun.

…had her moles removed by electrolysis—which Aunt Mildred thought was a wicked evasion of the puposes of God.

“There are things worse than death,” said Uncle James, believing that it was the first time in the world that such statement had been made.

Valancy lived with me for many days after I finished the book, a sign of a good read.

Playing the Moldovans at Tennis

ChisinauKircheSoborulAdormiriiMaiciDomnului2Orthodox church in Chișinău, Moldova (Photo: Wikimedia Commons)

 

So. Tell me what you know about Moldova, eh? Tucked between Romania and Ukraine, the former Soviet country of Moldova is the least-visited country in Europe.

I confess my interest in Moldova had been nonexistent. During a marathon phone call with one of my brothers, he tossed out a random recommendation. “I think you’d like Playing the Moldovans at Tennis,” he said. “It’s about an English guy who bets he can beat the entire Moldovan national football team one by one…playing tennis.”

Sure. Let me write down the title.

[Sidebar: I’ve long wanted to write about reading as an expression of love. If my sibling, or child, or in-law asks me to read a book, I say yes! Unless it is The Silmarillion, in which case I started; alas, I could not finish. I believe it is so valuable to have shared experiences; when you are long-distance, reading and discussing the same book bridges a gap. Reading a book a dear one loves can help you understand each other better. And spending the time to read what he/she recommends is an investment in the relationship.]

Warmth, I was learning, was a luxury commodity in Moldova.

It is quirky. The bet is so eccentric, a limp pretext for a trip to Moldova. But the travel bit is what I appreciated the most. Tony stays with a family, sees life from the inside. It is cold. It is drab. It is dispassionate. It is grim.

People came into this bar to abolish drinks. No passing of the time of day, not even a nod which acknowledged the presence of anyone else; simply a quick fix and then out again. Nurse, give me something to deaden the pain.

When he first visited in 1998 there wasn’t enough money to keep streetlights lit. So people walked the streets in the dark. Tony realizes that stuff he takes for granted in England—being warm and fed—are not givens in Moldova. The transition to independence was not easy. His host family is kind, warm, and helpful.

‘You have to remember,’ she’d said rather poetically, ‘that for more than half a century we have been like caged birds. Now the cage is open we don’t know how to fly.’

I would have enjoyed this book and would recommend it if the tone wasn’t so coarse (f-bombs, body humor, locker-room bawdiness). Tony made a full-length movie of the book, available on YouTube. I’ve only watched 20 minutes, but it might be worth a look.

The Saturday Big Tent Wedding Party

Public_transport_in_Gaborone(Public transportation in Gaborone, Botswana – photo Wikimedia Commons)

Alexander McCall Smith did a good thing when he crafted the character of Mma Precious Ramotswe. In each book, she is consistently the kind, traditional, perceptive, tender-hearted, contented woman I’ve come to regard as my friend.

And yet, he doesn’t filter out all the unsavory aspects of Botswana life. In this 12th book of the No. 1 Ladies Detective series, we see a young mother who treats her children with utter indifference, cattle killed, a menacing man and a cowed woman.

I recently finished The Saturday Big Tent Wedding Party, the twelfth book. I’m reading them out of order, according to library availability.

The title of the first chapter is The Memory of Lost Things; could it be an allusion to Proust?

As with every book in this series, I care about Mma Ramotswe’s culture ten times more than whatever mystery needs to be solved. There’s a dig at mobile phones, complainers, fathers who don’t take responsibility for their children. On the plus side is Mma’s abiding love for her late father and for her ‘late’ tiny white van, her compassion for those who suffer, the poetry of night sounds, her gratitude for Mr. J.L.B. Matekoni, her encouragement to an undeserving recipient, and the joy of an abundant wedding feast.

There is a tender moment between two bereaved women. I have a late baby, Mma. It is a long time ago. ~ I have a late child too, Mma. McCall Smith understands the permanence of grief. Almost every book has a small reference to the baby Mma Ramotswe lost.

In the end Grace Makutsi marries Phuti Radiphuti, which means she will never have to ride in public transportation again, and she can indulge her love of loud shoes. The wedding doesn’t have the prominence that the title gives it, but that’s OK.

Here is a quote to whet your appetite.

Nowadays, people are always thinking of getting somewhere—they travelled around far more, rushing from here to there and then back again. She would never let her life go that way; she would always take the time to drink tea, to look at the sky, and to talk. What else was there to do? Make money? Why? Did money bring any greater happiness than that furnished by a well-made cup of red bush tea and a moment or two with a good friend? She thought not. 230

 

Pat Nixon

Pat-NixonAfter I finished Going Home To Glory, by David and Julie Eisenhower, (see Revisiting Eisenhower) I decided to read Julie Nixon Eisenhower’s biography of her mother, Pat Nixon: The Untold Story.

I learned a lot reading this book, first of all respect for Pat Nixon. “Overcoming adversity” is such an exhausted cliché. But how does one describe the circumstances wherein a girl—13 years old—nurses and loses her mother to cancer, then in the space of five years nurses and buries her dad; works full time to help one, then another brother go to college; enters USC at age 22 and graduates cum laude three years later after working multiple jobs?

Here’s what impressed me about Pat:

♥ Her family adored her. Her brothers, her husband, her daughters, her sons-in-law, her grandchildren. That is a major accomplishment when you have lived life in the public eye and needed to be absent from family often. Yes, this is a sympathetic biography.

♥ She reached out to people. Her default mode with crowds was to shake hands, look in the eyes: connect. It’s one thing to connect with supporters, but she pursued detractors and protesters, often disarming them with a smile. She was a cool cucumber in life-threatening situations.

♥ Discipline and duty directed her steps. Campaigning is grueling: sometimes three solo appearances during the day and an evening with her husband. Entertaining dignitaries non-stop. She never shrank from what needed to be done.

♥ She sought *and found* beauty. Flowers, colors, fashion, design.

♥ She traveled to all fifty states and over fifty countries of the world.

♥ She read. In her later years, sometimes five substantial books a week.

♥ She was a creative grandma. She played “shoe store” with her granddaughter. They lined *all* of Pat’s shoes up; her granddaughter was the sales person and Pat would ‘shop’ and try on shoes. Oh, how I want to do this with my Aria when she’s older.

♥ Her signature phrase was “Onward and upward.”

I found Pat Nixon’s funeral online…and watched the whole thing. One of the earlier songs was Vaughn Williams’ For All the Saints, a song I decided at age 17 I wanted at my funeral. Billy Graham spoke about death, describing it as five things:
— a coronation
— a cessation from labor
— a departure
— a transition, and
— an exodus or “going out”

I’m glad I read this. When I finish a book that catches my imagination, there are more books I ‘need’ to read. This is my life. Even though it smacks of voyeurism, Pat and Dick: The Nixons, An Intimate Portrait of a Marriage is a book I’m interested in reading, based on recently released love letters.

The Boys in the Boat

1936-team-on-waterThe Boys in the Boat consumed me while I consumed it. I blew dry my thick mop on the low setting so I could read more of it each morning. For a two week stretch I managed to work the book into every casual conversation.

In short, the book is about rowing, about the University of Washington crew who took the gold at the 1936 OIympics. Daniel James Brown tells the story with skill, weaving the personal and team history of the crew, the craft of boat building, the Nazi propaganda guru, Leni Riefenstahl, together in so spell-binding a way that, even though you know the outcome of the final race, you have to turn the page to find out.

Certain elements of the story were bound to draw me in: Nazi Germany, a motherless child, boating, work ethic, craftsmanship, athleticism. But what captured me the most was the harmony, the heartfelt cooperation, required between the boys in the boat. If you don’t like some fellow in the boat, Joe, you have to learn to like him. The combination of humility and confidence, requisite to a good crew, fascinated me. My husband has built and rowed several duck hunting scull boats in his time. By default (and by interest—his nightly question is ‘what are you reading?’) Curt gets the first feedback from my reading. But there was no way I could simply tell him about the chapter on the art of boat building. I read it aloud and reveled in his comments and appreciation.

Reading in the age of YouTube means that the scenes recreated on page are available to watch on a screen. This short book trailer shows the stunning end of the Olympic finals. (I’m glad that I saw this after I read the book; knowing the back story helped me appreciate the significance that is hard to grasp in the few seconds of the footage.) What a thrill!

As I read I bumped into “old friends”: The Suzzallo Library, Grand Coulee Dam, Fritz Kreisler(how does a world-class violinist get into a book on crew?), Louis Zamperini of Unbroken fame, and Hugh Laurie. Yeah, that Hugh Laurie! If you loved Unbroken, odds are you will like The Boys in the Boat.

It’s called “swing.” It only happens when all eight oarsmen are rowing in such perfect unison that no single action by any one is out of synch with those of all the others. It’s not just that the oars enter and leave the water at precisely the same instant. Sixteen arms must begin to pull, sixteen knees must begin to fold and unfold, eight bodies must begin to slide forward and backward, eight backs must bend and straighten all at once. Each minute action—each subtle turning of wrists—must be mirrored exactly by each oarsmen, from one end of the boat to the other.  160