Dutch Baroque

Interior with a Mother Attending her Children,  1728
Willem van Mieris
Dutch Baroque Era Painter

You know what I like about this painting? 

1.  The sharp contrast between light and dark.  I’ve been reading about this characteristic of late medieval times.

2.  The shoe that is off and the foot raised on the box.  Do those shoes look comfortable to you?

3.  The general untidyness of the room.  This place looks lived in.

4.  The comfort of the dog sleeping.

Questions:

1.  How old is the child in the cradle?  It strikes me that he is about 41/2. 

2.  What is particular about this child?  He is the focal point of the painting.  The light and the lines are oriented towards him. 

3.  What is the back story?  There seems to be a considerable age difference between the older boy and the younger?  Has the mother lost other children in between? 

I wish I could see the plates that are on the shelf. I bet they are Delft.  I’m certain they are beautiful.

Fine Art Friday & February Books

Fine Art Friday – Millet in March

La Précaution Maternelle, 1857 Jean-François Millet

I wish I could tell you more about this little-known Millet. If you are fluent in French read about it here.

The subject of a mother preparing her child to go outside reminds me of this Jessie Wilcox Smith.

Do you have a preference?  They are both quite lovely.

Addendum: Dana quite helpfully explained this picture in the comments section.  My original post showed this smaller picture which looked *to me* like white trousers.  If laughter is the best medicine, I’m very healthy right now!

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Winter Reading Challenge Wrap

My plan this year is to post my previous month’s reading on (or close to) the first of the month.  January’s books are here. I’m reading books from my 2007 Master Reading List. On to February’s reads:

Completed

Framley Parsonage by Anthony Trollope
Words by Heart by Ouida Sebestyen
The Song of Roland
The Rule of St. Benedict
A Midsummer Night’s Dream by William Shakespeare

In the Middle of

The Discarded Image by C.S. Lewis
An Anthology of Old English Poetry trans. Charles W. Kennedy
Mornings on Horseback by David McCullough
The Piano Shop on the Left Bank by Thad Carhart
Civilization of the Middle Ages by Norman Cantor
Life is So Good by George Dawson and Richard Glaubman
That Distant Land by Wendell Berry

Languishing, still I refuse to reshelve the books…yet

Kepler’s Witch by James Connor
On the Incarnation by Athanasius
Miniatures and Morals by Peter Leithart

Tomorrow I plan to post my Spring Reading Challenge list.  Would you like to join us

Millet and Words By Heart

Fine Art Friday – Millet


The Shepherdess, 1864
Jean-François Millet

“The human side of art is what touches me the most.”  Jean-François Millet

Here is yet another piece of art with a girl absorbed in knitting.  Notice the stance of the dog on the right.   Yep, that’s a watchdawg!

~      ~      ~      ~      ~      ~

Ouida Sebestyen’s book Words By Heart will go on my bookshelf next to Black Boy, Roll of Thunder Hear My Cry,  and Black Like Me.  Or should I have a Scripture Memory section which includes Tom Sawyer, Right Ho, Jeeves and this book? 

Lena knows her Bible verses.  Lots of  ’em.  Her participation and eventual success in the local verse quoting contest is reason enough to read this book.  Sebestyen’s humor in Lena’s choices will fly right over the young reader’s head.  Lena begins with “God hath chosen the foolish things of this world to confound the wise…”; after a momentary panic late in the contest she resorts to quoting verses from Song of Solomon usually left unspoken in public “I am black, but comely.” 

Lena, who has to this point been sheltered from racial conflict, discovers the resentment and hostility of the community from her public triumph over a white boy.  Her Papa begins teaching her how to to respond to different neighbors, all of whom are white. Some are to be avoided, some are to be ignored, some are to be obeyed, and some are to be bargained with.  Lena trusts and adores her Papa, but struggles with the injustice of their living situation. 

This would be a great book to read and discuss together with pre-teens.  Caveat:  Lena’s Papa dies from violence at the end of the book.  There are no graphic descriptions, but you need to know what your reader can handle emotionally before you embark.

Fine Art Friday – Millet


The Knitting Lesson (c.1860)
by Jean-François Millet

This Fine Art Friday is a hat-tip to two friends. 

Millet is my friend Bonnie’s favorite artist.  When she talked about Millet’s art with our beloved Latin teacher, I loved just being a witness to the conversation. You know what I mean?  Great ideas flowing both ways, splashing around, and  I just want to catch some of the spray.

Knitting is my friend Donna’s favorite recreation. She has already highlighted several lovely pieces of art related to knitting. I hope you enjoy this lovely piece, Donna.

I’ve decided to highlight an artist for a month of Fridays.  Loving alliteration as I do, it will be Millet in March.  I know it’s still February.  Work with me.

Fine Art Friday

Pastourelle (Shepherdess) (1889)
by William Bouguereau

I’m listening to Tess of the D’Urbervilles by Thomas Hardy and this picture closely resembles my mind’s picture of Tess.  Tess’s story is a sad tale: she grew up in a dysfunctional family, was assaulted by a “gentleman”, struggled as a single mother, lost her baby, and moved away to start anew.  This book reminds me of Hawthorne’s The Scarlet Letter.  I’ve never before read Hardy; listening is an easy way to get some exposure to this author I feel I ought to know. 

Listening to Hardy is an odd juxtaposition to reading Wendell Berry.  Hardy makes you indignant and angry about the tragedy of this young woman, the toil and drudgery of her life as a dairy maid; he is unsettling and edgy.  Berry paints pictures of healthy, nourished families within an agrarian community where work is valued, souls are fed, generations are connected, and hope abounds.  

Fine Art Friday

Back from the Market, 1739
Jean-Baptiste-Siméon Chardin

From A Short History of Art by Janson and Janson:

Back from the Market shows life in a Parisian middle-class household.  Here we find such feeling for the beauty hidden in everyday life, and so clear a sense of spatial order, that we can compare him only to Vermeer.  However, Chardin’s technique is quite unlike any Dutch artist’s.  His brushwork renders the light on colored surfaces with a creamy touch that is both analytical and lyrical.  To reveal the inner nature of things, he summarizes forms, and subtly alters their appearance and texture, rather than describing them in detail.  Chardin’s genius discovered a hidden poetry in even the most humble objects and endowed them with timeless dignity.  His many still lifes avoid the sensuous appeal of their Dutch predecessors.  In Back from the Market, he treats the platter, bottles, and earthenware pot with a respect close to reverence.  Beyond their shapes, colors, and textures, they are to him symbols of the life of common people.”

Beauty hidden in everyday life. 

Sigh.

Happy Friday.

Hold Fast


Fishing Boat at Anchor
Anonymous engraver after a picture by William Van de Velde (Younger)

“He [Gregory] never abandoned his religious exercises
even amid the concourse of an earthly palace.
For some of his fellow-monks were so devoted to him
that they accompanied him to the Imperial city,
and he began to maintain a regular religious observance with them.

In this way, as he records,
their example proved an anchor-cable
that held him fast
to the peaceful shore of prayer
while he was tossed
on the restless waves of worldly affairs,
and his studies in their company
enabled him to refresh a mind
distracted by earthly concerns.”

Bede’s Ecclesiastical History of the English People p.99