I wrote this book because I have always loved Bach’s
music and always wanted to know the man who made
it. But I was also drawn to investigate the opposition
of reason and faith. ~ James R. Gaines
Evening in the Palace follows two trends: first to tether an entire book around a single piece of art, as in Chevalier’s Girl with a Pearl Earring or Vreeland’s Luncheon of the Boating Party; the second to interweave two biographies, á la Plutarch’s Lives or Julie and Julia. Gaines writes an overview of the lives of Johann Sebastian Bach and Frederick the Great but focuses on a confrontation between the two men and the music that resulted from it.
What Gaines does exceedingly well is to illustrate the difference in Medieval / Reformation assumptions and those of the Enlightenment.
[Carol sets up her soapbox and mounts it. The shrill voice emerges.]
There is one and only one way to read this book: that is while listening to The Art of Fugue Musical Offering (or here or here) while you read. When Gaines brilliantly exposits the complexity of this particular fugue, you must have the notes in your head. Listen while you commute, listen while you cook, listen while you clean.
I highly recommend this book. I highly recommend Bach. Even if you have no musical background, no previous exposure to his music, Bach’s music will seep into your soul and water the parched places. If you love someone who already loves Bach, get him or her the book and the CD.
the richness of his counterpoint, the way
his music follows text the way roses follow a trellis,
in perfect fidelity and submission but at
not the slightest sacrifice of beauty.
Finally, though, one comes up against the fact that
the greatest of great music is in its ability
to express the unutterable.