This squeezed all the breath out of my soul. Horror. Sorrow from Emmett’s lynching. Beauty—so sharp it stings—of the words woven so we remember Emmett Till.
Emmett Louis Till (1941-1955) was a Chicago boy visiting relatives in Mississippi. Believing that he whistled at a white woman, two men took him from his uncle’s house and murdered him. Mutilated him. The alleged murderers were found ‘not guilty’ but those ‘innocent’ men openly explained how they killed Emmett months after the trial. Emmett’s mother, Mamie, became an activist for civil rights.
Marilyn Nelson’s poem is a heroic crown of sonnets. A sonnet is a fourteen-line rhyming poem. A crown of sonnets links each sonnet together: the last line of the preceding sonnet is the first line of the next sonnet. A heroic crown has fourteen sonnets followed by a fifteenth, made up of the first lines of the first fourteen. This for a boy whose years were fourteen.
The strict form became a kind of insulation, a way of protecting myself from the intense pain of the subject matter, and a way to allow the Muse to determine what the poem would say.
The poem is a masterpiece of form, a crown that circles around to the beginning. It is a gruesome subject, but we must bear witness to atrocity. Notes in the back explain what Nelson had in mind with each sonnet, pointing out allusions. This, dear reader, is not obscure poetry. Here is the final sonnet, an acrostic collection of fourteen first lines.
Rosemary for remembrance, Shakespeare wrote.
If I could forget, believe me, I would.
Pierced by the screams of a shortened childhood,
Emmett Till’s name still catches in my throat.
Mamie’s one child, a body thrown to bloat,
Mutilated boy martyr. If I could
Erase the memory of Emmett’s victimhood,
The memory of monsters … That bleak thought
Tears through the patchwork drapery of dreams.
Let me gather spring flowers for a wreath:
Trillium, apple blossoms, Queen Anne’s lace,
Indian pipe, bloodroot, white as moonbeams,
Like the full moon, which smiled calmly on his death,
Like his gouged eye, which watched boots kick his face.
There is an idea, an ancient idea, that flowers represent ideas. If you’ve read or seen Hamlet, you’ll remember Ophelia’s line, “There’s rosemary, that’s for remembrance.” My sister-in-law and I were talking about this last month; she told me that she often puts some rosemary in a note of condolence. The wreath is woven not only with words, but with flowers as tropes.
Someone—bless you!—recommended Marilyn Nelson’s book, Carver: a life in poems, which I got from the library. I read a third of the way through, stopped and bought the book. The same with Emmett Till: a library book on my Kindle, but I needed to own it. I now anticipate reading all Nelson’s books. Along with Wendell Berry and Billy Collins, Marilyn Nelson is in my list of favorite living poets.
The portion you posted is staggering in it’s message. And breathtakingly beautiful. I’m basically echoing your opening of the blog, perhaps because words fail right now. I remember learning about Emmett Till several years back, but I can’t remember exactly how or when.
Sonnets, poetry impresses the heck out of me. I appreciate art that I have no dream of even attempting. Thank you, Carol 🙂
correction: *its* haha
one of my peeves – when I use it’s and its incorrectly 😛
Staggering is a perfect adjective, Susan. Thanks for your comment. It’s reassuring to know someone else had the same reaction.
GW Carver is one of my fascinations. I read her book of poetry about him after visiting Tuskegee a few years ago:
Amy, you are probably the one I should be thanking. I have this book on my nightstand ready to read next. I came to Emmett Till through GWC. Marilyn Nelson is such a gifted poet. THANK YOU!